Rethinking the Musical Instrument
This volume brings together scholars and artist-researchers to explore the nature and function of musical instruments in creative practices, and their role in musical culture. Through historical, theoretical, critical, practical-artistic perspectives and case studies, the contributors here examine identities and affordances of acoustical, electronic and digital musical instruments, the kinds of relationships that composers and performers establish with them, and the crucial role they play in the emergence of musical experiences and meanings.
Mine Doğantan-Dack is a musicologist and a concert pianist. She studied at the Juilliard School and holds a PhD from Columbia University. Her books include Mathis Lussy: A Pioneer in Studies of Expressive Performance (2002), the edited volumes Recorded Music: Philosophical and Critical Reflections (2008) and Artistic Practice as Research in Music (2015), and a volume titled Music and Sonic Art: Theories and Practices (2018), which she co-edited with John Dack.
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Andrew Blackburn
Diana Cardoso
David Cotter
Mine Doğantan-Dack
Marc Estibeiro
Ellen Fallowfield
Paulo Ferreira-Lopes
Olaf Hochherz
Stephen Husarik
Slavisa Lamounier
Sébastien Lebray
Margarethe Maierhofer-Lischka
Scott McLaughlin
James Mooney
Felipe Ignacio Noriega
Stefan Östersjö
Katharina Schmidt
Ewan Stefani
Temina Cadi Sulumuna
Anne Veinberg
Carsten Wernicke
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