The Representations of Elderly People in the Scenes of Jesus’ Childhood in Tuscan Paintings, 14th-16th Centuries: Images of Intergeneration Relationships
This book is the result of a two-year postdoctoral research fellowship at the Kunsthistorisches Institut (Max Planck Institute) in Florence, Italy, in collaboration with the MaxNetAging Research School in Rostock, Germany. Adopting an innovative approach, it leads the reader through early modern Tuscan paintings to discover a new vision of intergenerational relationships. By studying both the images of elderly people in the scenes of Jesus’ Childhood and the primary sources dealing with old age, the book reveals how old age was perceived at the end of the Middle Ages and the beginning of the Renaissance in Tuscany.
Welleda Muller obtained her PhD in 2009 from the University of Burgundy, Dijon, France. After teaching Art History at the university, she worked for the Index of Christian Art at Princeton University, USA. From 2011 to 2013, she worked as a Postdoctoral Researcher at the Paris-Sorbonne University as part of the Project Musiconis on the representations of music and musicians in medieval art. From 2014 to 2016, she was a Postdoctoral Fellow at the Kunsthistorisches Institute (Max Planck Institute) in Florence, Italy. She is currently an independent scholar working and living in Brussels, Belgium. http://vivrelart.eu/
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