Soňa Šnircová is Assistant Professor in the Department of British and American Studies in the Faculty of Arts at the University of Pavol Jozef Šafárik in Košice, Slovakia. She is the author of Feminist Aspects of Angela Carter’s Grotesque (2012), the co-editor of Language, Literature and Culture in Present-Day Context: Contemporary Research Perspectives in Anglophone PhD Studies (2011), and a contributor to The Reception of Charles Dickens in Europe (2013). Her academic interests include contemporary British women’s literature, the female Bildungsroman, post/feminism, and the theory of the grotesque.Milena Kostić is Assistant Professor in the English Department in the Faculty of Philosophy at the University of Niš, Serbia. Her MA thesis, The Faustian Motif in the Tragedies of Christopher Marlowe was published by Cambridge Scholars Publishing in 2013. She defended her PhD thesis, entitled Public vs. Private in Shakespeare’s History Plays, at the Faculty of Philosophy of the University of Novi Sad, Serbia, in 2013. Her areas of academic interest include Medieval and Renaissance English literature and Shakespeare studies. She also teaches courses on British, Scottish and Canadian Studies.