Jarmo Valkola is a Professor and Doctor of Philosophy, having received his doctorate from the Department of Art Education at the University of Jyväskylä. He is Docent at Aalto University in Helsinki, Docent Professor at the University of Lapland, and Docent at the University of Jyväskylä. He is also Associate Professor of Film History and Theory at Baltic Film, Media, Art and Communication Institute of Tallinn University, Estonia. From time to time, he also works at Sorbonne Nouvelle University, Paris, and the University of Vienna.
His research interests are wide-ranging, and include cognition, cognitive science, phenomenology, art, visual arts, audiovisuality, perception, pictorialism, media, cognitive media theory, media education, philosophy of the image.
He has written 17 books and 50 scientific articles on cinema, art, and aesthetics in various languages, including Finnish, English, French, Italian, Turkish, Greek, Estonian and Hungarian.
Jarmo is currently working on his next book, with the working title of Cognitive Analysis of Cinema, which integrates psychological and phenomenological approaches to understanding the complexity of media.
He is currently engaged in Tallinn as a Professor in two international programs called Kinoeyes and Viewfinder. The former is a joint project with the Lusófona University, Lisbon, and Screen Academy Scotland, Napier University, while Viewfinder is a collaboration with the University of Theatre and Film Arts, Budapest (SZFE) and the National Film School at the Institute of Art, Design and Technology, Dun Laoghaire, Dublin. In 2017, he was involved in a symposium on Péter Forgacs's films and in 2018 will be involved in another symposium on Arab cinema.
Jarmo is the author of Pictorialism in Cinema: Creating New Narrative Challenges, which explores the unique phenomenon of pictorialism and its connection with other arts in film and media studies. He describes the process of publishing the title with Cambridge Scholars:
“The publishing process started with my letter to Cambridge Scholars, and I was pleased to get information about their publishing policies. I sent them a copy of the manuscript, and I got positive feedback about my research. After a while I received the answer that they had accepted my manuscript, after which there was a quite long period during which the manuscript, especially the language, was checked very carefully. After all this work, it was ready for printing. There were, of course, other issues like the cover image, which I got from my son who was making a short film up north. At the top of Finland there is a small piece of land, which belongs to Norway, called Finnmark, which is where the cover image was taken. I was very pleased with the whole publishing process, and I appreciated the thoroughness that the publisher and the people who work at Cambridge Scholars took with their jobs.”
As part of the Meet our Authors campaign, we are offering our readers a 50% discount on Pictorialism in Cinema: Creating New Narrative Challenges. To redeem your discount, please enter the promotional code MOAJAN18 during checkout. Please note that this is a time-limited offer that will expire on 15th February 2018.